







After all the heady image-making, a pragmatic payoff was obviously the plan for ready-to-wear.
Galliano brought back his pantsuits as pinstripe three-pieces and Marlene Dietrich white-tie tailcoats, reprised the pagoda-shouldered silhouettes of his Madame Butterfly collection, and, of course, laid on a rendering of his signature bias cutting in jazz-age chiffon and thirties charmeuse.
The Dominant colors of this collection were white, brown and beige, black.



Analogic color theme: red, orange, brown
there were also serveral garments in orange with different intensity
In the whole collection, tinted color was the dominant. There were 29 out of the 58 garments were in tinted colors. With only little sharp color.
Hence , the mood of this collection is simple and natural.

With the 60th birthday of Christian Dior, some garment silhouettes also followed the one designed by Dior. Streamed waist line is the renamed feature.
This set of garment suit is using the mono-chromatic scheme.
It is the common silhouettes adopted by most office ladies nowadays.



There is the principle of familarity, which is readily for people to accept.

沒有留言:
張貼留言